Backgrounds

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The SNES backgrounds consist of one or more layers of tilemaps.

There are 8 available background modes, which can be changed at any time via BGMODE, even mid-screen.

Each mode has 1-4 layers, consisting of tiles that are 2bpp (4-color), 4bpp (16-color), or 8bpp (256-color).

Mode BG1 BG2 BG3 BG4 Hi-res Priority (front ↔ back)
0 2 2 2 2 S3 1b 2b S2 1a 2a S1 3b 4b S0 3a 4a
1 4 4 2 3c S3 1b 2b S2 1a 2a S1 3b S0 3a
2 4 4 OPT S3 1b S2 2b S1 1a S0 2a
3 8 4 S3 1b S2 2b S1 1a S0 2a
4 8 2 OPT S3 1b S2 2b S1 1a S0 2a
5 4 2 ✔ S3 1b S2 2b S1 1a S0 2a
6 4 OPT ✔ S3 1b S2 S1 1a S0
7 8 (7) S3 S2 2b S1 1a S0 2a

Properties

Each of the 4 BG layers has several independent properties:

Each of the 4 BG layers can be independently activated for the main and sub-screen.

  • If color math is enabled, the main screen can be blended with the subscreen.
  • If high resolution is enabled (SETINI) the main-screen appears on even columns, and the sub-screen appears on odd columns.
  • If neither color math nor high resolution is enabled, only the main screen is seen.

The 4 BG layers and sprites (OBJ) are composited to make the main and sub-screens, layered according to their priority

Priority

The way background layers and sprites are composited on top of each other is different for each mode.

Each of the background layers BG1-4 is further subdivided into a high and low priority layer, using tilemap attributes. Sprites (OBJ) are also subdivided into 4 layers of their own using their OAM attributes.

In the mode table above:

  • S3 S2 S1 S0 are the sprite layers with priority 3, 2, 1 and 0.
  • 1b 1a is BG1 layers with high (b) and low (a) priority.
  • 2b 2a is BG2 layers with high (b) and low (a) priority.
  • 3c 3b 3a BG3 in mode 1 has two different high priority positions, selected by BGMODE. Depending on the BGMODE setting, high can be either at the top (c) or middle (b), the low (a) priority is always in the same position.
  • 4b 4a is BG4 layers with high (b) and low (a) priority.

In mode 7 BG1 only has one layer (a), but EXTBG can enable BG2 split into two layers (b, a).

Offset-per-tile

See: Offset-per-tile

High resolution

High resolution is automatically used in mode 5 and 6, but can be manually enabled for other modes via SETINI.

This doubles the horizontal resolution of the SNES from 256 to 512 pixels.

The main-screen appears on every even column, and the sub-screen appears on every odd column. Color math may still be available, but since the sub-screen is no longer a hidden layer it has limited use.

In modes 5 and 6 high-resolution is forced, and the background layers are automatically de-interleaved into the main and sub-screens, rendering each tile at half its usual width, but with twice the density of pixels.

In other modes you would have to compose the main/sub-screen with alternating columns.

However, because 512px output tends to get blurred significantly on TVs through normal composite output, some games use the alternating columns as an alternative to color math, providing something like a 50% "blend" of the main and sub screens. This usage is sometimes known as pseudo hi-res. (See: Jurassic Park, Kirby's Dream Land 3.)

Interlacing

Interlacing can also be enabled via SETINI.

Interlacing shifts every second frame (field) down by half a line. The result is that over 2 frames you get twice the vertical resolution, but at half the framerate. STAT78 can be used to determine whether you're currently on an even or odd field.

In modes 5 and 6, if interlacing is enabled the vertical tile density is automatically doubled across the two fields.

In other modes, you would have to manually change the picture between even and odd fields to make use of the increased vertical resolution.

The lowered framerate has the drawback of a visible "flickering". Perception of this flickering varies from person to person, but it is intensified by images with sharp vertical contrast. Normally interlaced video for broadcast is vertically filtered/blurred to reduce this effect, but this is harder to accomplish on the SNES with its palette limitations.

Care should be taken not to switch interlacing on or off too frequently in the middle of a game. On most modern televisions and capture devices, doing so will often cause the signal to drop and re-synchronize for a few seconds (or more). You might wish to wait for user input to confirm before proceeding into action, after swiching into or out of interlaced mode. Older CRT televisions can generally switch to interlacing instantly, though it cannot be changed mid-frame.

Mode 0

The only mode which has 4 independent BG layers. Its drawback is that each layer is only 2bpp (4 color).

Each of the 4 layers and choose one of 8 4-color palettes from a different subset of CGRAM:

  • BG0 at CGRAM 0
  • BG1 at CGRAM 16
  • BG2 at CGRAM 32
  • BG3 at CGRAM 48

Mode 1

The most commonly used mode, which has two main 4bpp (16 color) layers BG1 and BG2, and one auxiliar 2bpp (4 color) layer BG3.

BG3 has an additional priority control in mode 1. Its priority bit in BGMODE allows it to be rendered either above or below BG1 and BG2.

BG3 selects a palette from the first 16 entries of CGRAM.

In many games, BG1 and BG2 are used for a colourful main background with parallax, and BG3 to overlay a HUD or text box.

BG3 can also be useful for things like a blended cloud or fog in the foreground, or a third parallax layer in the deep background. (Super Metroid has many good examples.)

Mode 2

Has two 4bpp layers like mode 1, but BG3 is used to encode offset-per-tile for BG1 and BG2, instead of being a visible layer.

Mode 3 & 4

Mode 3 has an 8bpp BG1 layer, allowing use of all 256 colors of CGRAM. This can also be used as direct color, bypassing CGRAM entirely.

Mode 3 also has a 4bpp (16 color) auxiliary layer BG2.

Mode 4 instead has a 2bpp (2 color) auxiliary layer BG2, and BG3 is used to encode offset-per-tile. (BG2 palettes are stored in the first 16 entries of CGRAM.)

Mode 5 & 6

Mode 5 and 6 force high resolution on, and automatically divide the background so that the tiles appear at double horizontal density.

The 8x8 pixel tilemap tile size selectable via BGMODE is replaced with a 16x8 pixel tile mode instead. The 16x16 mode is still 16x16.

If interlacing is enabled (SETINI), the vertical tile density is automatically doubled as well, giving the option for vertical high-resolution as well.

Horizontal scrolling in these modes only has a resolution of 2 hi-res pixels (i.e. 1/256 of the screen per increment), but when interlaced the vertical scrolling has fine control (1/480).

Mode 5 has a 4bpp (16 color) BG1, and an auxiliary 2bpp (4 color) BG2.

Mode 6 is like mode 5 but replaces BG2 with an invisible BG3 providing offset-per-tile.

Mode 7

Mode 7 ignores most of the layer configuration options, and instead always occupies the entire first half of VRAM with a 128x128 tilemap, and 256 available 8x8 tiles.

See: Mode 7 tilemaps, Mode 7 tiles.

This provides a single background layer that has a unique transformation property.

The M7SEL register provides a few unusual properties just for mode 7:

  • The entire tilemap can be horizontally or vertically flipped.
  • Outside the boundary of the square, three options are provided:
    • Transparency
    • Fill with tile 0
    • Infinite horizontal and vertical wrapping (repetition) of the tilemap

Mode 7 tiles can use direct color, if desired.

Sometimes mode 7 is used for large rotating boss characters. Even though it has only 1 background layer, sprites can be used to draw things around it that would normally be "background", and another BG mode might be switched to with HDMA to enable a solid floor background at the bottom, for example.

EXTBG

Normally mode 7 is a single layer on BG1 only, but SETINI can be used to enable Mode 7 EXTBG which activates BG2 as a duplicate of BG1, but split into two layers.

EXTBG BG2 treats the high bit of each tile's pixel color like a tilemap priority bit, allowing BG2 to be split into two layers which can appear above and below sprites. This sort of makes BG2 into two "7bpp" layers but they are not independently transformed or scrolled.

Affine Transformation

Instead of rendering normally, this tilemap (effectively a 1024x1024 pixel square) can be given an arbitrary 2D affine transformation, which means this is a square that can:

  • Translate or slide its position up, down, left or right.
  • Rotate at any angle.
  • Zoom in and out or be squashed, but the scaling must be uniform along any axis (i.e. it can stretch along a straight line, but it cannot "bend").

It is conceptually similar to texture mapping a single quad on a modern GPU. Conversely, it is also like selecting a parallelogram region from the tilemap, and stretching its four corners to the rectangle of the screen.

The affine transformation can be changed every scanline via HDMA, allowing versatile perspective and distortion effects.

See: Mode 7 perspective effects

The usual scrolling registers for M7HOFS, M7VOFS, which pre-scroll the tilemap before transformation.

The affine transformation is applied by M7A, M7B, M7C, M7D, with an additional pivot-point center offset via M7X, M7Y.

These define a transformation matrix: 

+--     --+   +--               --+   +-- --+
| M7A M7B |   | Sx + M7HOFS - M7X |   | M7X |
|         | * |                   | + |     |
| M7C M7D |   | Sy + M7VOFS - M7Y |   | M7Y |
+--     --+   +--               --+   +-- --+

Affine Matrix

M7A, M7B, M7C, M7D together define how to map the tilemap "texture" to the screen, as pixels are rasterized left to right, top to bottom. In this explanation a pixel is an output pixel on the screen, and a texel is the color fetched from the 1024x1024 background tilemap. Each of these is an 8.8 fixed point value.

When you move one pixel to the right on the screen:

  • M7A is how many texels to move to the right on the background.
  • M7C is how many texels to move down.

When you move one pixel down on the screen:

  • M7B is how many texels to move right.
  • M7D is how many texels to move down.

In modern computer graphics terms: (M7A,M7C) and (M7B,M7D) are 2D vectors defining Δu and Δv for texture mapping.

This is why the recommended default values of (1,0) (0,1) makes mode 7 behave like a normal background. 1 pixel to the right = 1 texel to the right. 1 pixel down = 1 texel down.

Scaling can be accomplished by changing the length of these vectors.

  • (2,0) (0,1) will move 2 texels right for every 1 pixel, shrinking by 1/2 in the horizontal.
  • (1,0) (0,-0.1) will move 0.1 texels up for every 1 pixel, stretching by 10 in the vertical and flipping upside down.

Rotation can be accomplished by rotating these vectors.

  • (cos ϴ, sin ϴ) (-sin ϴ, cos ϴ) form a standard rotation matrix that will rotate the map by ϴ degrees.
  • (0.866, 0.500) (-0.500, 0.866) will rotate by 30 degrees.

Shearing creates a slanted mapping by adding to one coordinate unevenly.

  • (1,0) (0.2,1) causes the background to gradually slide to the left as it proceeds down the screen.

Scaling, rotation, and shearing together can be combined into a single transformation matrix in A/B/C/D. This can be computed by matrix multiplication.

Center adjustment

M7HOFS and M7VOFS define a starting point for rasterization. This selects a point on the background map, giving a texel coordinate for the top-left of the screen. With the default matrix, this is exactly the same as just scrolling the map in other modes.

M7X and M7Y define an additional center point adjustment, which is applied before and after the affine matrix step. First this center is subtracted from the coordinate, creating a new center (a.k.a. pivot point), then the scaling and rotation is applied there with this new center, then finally this center is added back to the result, shifting it back to where it started.

This secondary center allows you to rotate or scale the map around a point that is not the center of the screen.

See Also

External Links

References

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